Musically, it grows from the trap-infused RB and pop music noise of the pre). Doja Cat, the Weeknd, and Ty Dolla Sign appear as invitees functions, alongside Megan Thee Stallion about elegant edition. Upon launch, jobs is came across with normally advantageous studies from audio critics; bonne’s singing show got frequently acknowledged, even though the record album’s words and creation design drew criticism. Journals ranked the record on various year-end finest albums databases of 2020.
In 2019, Ariana bonne started doing the album.  On , she published a 45 next drip snippet on the track entitled «Nasty from roles» on her behalf social media.  On , bonne posted a snippet of a tune that has been after expose becoming «spots», on her behalf social networking using caption «brb».  On , she revealed on Twitter the record would-be circulated the exact same month.  3 days later, bonne uploaded a slow-motion video of this lady entering the term «positions» on a keyboard and established two countdowns on her site counting right down to .  The record album is especially influenced by their love life, and her commitment with Dalton Gomez, the girl husband,who she began dating in .
On , bonne unveiled the record’s address ways.  set physical versions of spots had been released DTC with two various other address artworks, which feature the exact same picture because original, except bonne wants at the cam, with repositioned fingers and face angle.
On , bonne revealed a luxurious release of opportunities, featuring four brand new paths additionally the remix of «34+35» featuring Doja pet and Megan Thee Stallion  On , Grande revealed on her social media your roles luxurious might be introduced on March 19.  bonne confirmed the four brand new monitors to-be «anybody Like U (Interlude)», «Test Drive», «Worst Behavior» and «principal Thing» into the countdown on the premiere associated with the «34+35» remix tunes video clip.
Another single, «34+35», was launched on . It influenced all of us pop music radio as an official solitary that same time.   A remix of track featuring US emcees Megan Thee Stallion and Doja pet was launched on , followed closely by their lyric movie.  
The next single, «POV», was launched on . The 30th April the state lyric video have is released featuring the performers Cory Graves and Brian Nicholson. The choregraphy was created by Graves together with Nicholson’s twins. 
The album obtained advantageous feedback (despite perhaps not breaking any brand new surface) from audio experts. Alexa Camp of «angle» thought they did not offer enough latest ideas be2 or advancement. «way too many associated with the tracks on jobs rely on exactly the same mid-tempo trap-pop that inhabited bonne’s earlier two efforts, particularly Thank U, upcoming. Just what when appeared energizing in minimalism was quickly beginning to feeling insubstantial. Editor Hannah Mylrea represent it as «a pleasant listen, as an introduction to next time of bonne’s career, its strong, nevertheless cannot assist but think it’s lacking a few of the woman signature glow.» In comparison to the woman past records , Mylrea states how «energy and persistence posts throughout aˆ?Positions’, an album that finds Grande thriving.  opportunities «lacks the megawatt pop belters of earlier releases» where in fact the Guardian’s Alexis Petridis agrees, creating: «roles deals in polished professionalism, not pulse-quickening pleasure. There isn’t an obvious talked about track. the overall impact try of specific monitors hemorrhaging into one lengthy slow-motion recorded» rating the album 3 of 5 stars.  whilst record album get compliments for it’s vocals and music plans, there is a lot getting preferred lyrically. Critics such as for instance Alim Kheraj of i-D identify the raunchiness of record album’s totality, «Ariana has actually a very important factor on her head: intercourse. Much intercourse, the following 13 records are some of the horniest tunes that Ariana possess actually circulated.»  Kate Soloman in the Telegraph believes that «there are not any tentpole strikes, no clear hooks and too many keywords crammed into 14 reasonably small and quite often samey tracks. Nevertheless examines newer territory when it comes down to performer: new connections, a unique sound, a fresh sense of personal.»  but experts such as The New Statesman’s Emily Bootle, emphasize the positives, «opportunities is mostly about growing on the other hand. with «no dud paths». She stresses bonne’s confidence and readiness with a sense of individual identity in «promoting era-capturing tunes.»